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AMERICA'S SWEETHEARTS (12) |
| A movie publicist deals with the messy public split of his movie's co-stars while keeping reporters at bay while a reclusive director holds the film's print hostage. | |
| CELEBRITY (18) | |
| Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get a foot into the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and / or beautiful, partly through journalism, partly because he has a script to offer. But life among those from out... | |
| EULOGY (15) | |
| A black comedy that follows three generations of a family, who come together for the funeral of the patriarch - unveiling a litany of family secrets and covert relationships. | |
| GODZILLA (PG) | |
| Following the French atomic bomb tests in the South Pacific, an unknown creature is spotted passing eastward through the Panama Canal... | |
| GROSSE POINT BLANK (15) | |
| Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time. | |
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MYSTERY MEN (PG) |
| In order to generate more endorsement revenue, Champion City's resident superhero Captain Amazing arranges for the release of supervillian Casanova Frankenstein, only to be captured by him. The city's fate rests in the hands of seven loser superhero wannabes: the fork-flinging Blue Rajah, the shovel... | |
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RUN, FAT BOY, RUN (12) |
| Romantic comedy… David Schwimmer enlists an overweight Simon Pegg as the hopeless lover who realises his one true love is the fiance he jilted five years earlier. Starring Dylan Moran, Hank Azaria, Simon Pegg, Thandie Newton. Directorial debut for David Schwimmer. | |
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SHATTERED GLASS (12) |
| This film tells the true story of fraudulent Washington, D.C. journalist Stephen Glass (Christensen), who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at "The New Republic" for three years (1995-1998), where 27 of his 41 published stories were either partially or co... | |
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